(Click on an underlined column heading to sort the list.)
Title | Artist | Medium & Support | Creation Date |
---|---|---|---|
Cargando La Suerte en una Verónica | Coderch de Sentmenat, José Antonio | Half-tone reproduction of photolithograph on paper | 1977 |
Del Toreo | Coderch de Sentmenat, José Antonio | Unbound set of 23 half-tone reproductions of photolithographs on paper | 1977 |
Portrait of King Charles II | Carreño de Miranda, Juan | Oil on canvas | c. 1675 |
Portrait of a Lady with a Fan | González Velázquez, Zacarías | Oil on canvas | c. 1805 - 1810 |
Portrait of Richard Worsam Meade | López Portaña, Vicente | Oil on canvas | 1815 |
Residuos Históricos | Zapata, Miguel | Mixed media | 2008 |
As Soon as Five Years Pass: Act 1, Scene 1 | González, Juan | Mixed media collage on paper | 1991 |
As Soon as Five Years Pass: Act 1, Scene 2 | González, Juan | Mixed media collage on paper | 1991 |
As Soon as Five Years Pass: Act 2, Scene 1 | González, Juan | Mixed media collage on paper | 1991 |
As Soon as Five Years Pass: Act 2, Scene 2 | González, Juan | Mixed media collage on paper | 1991 |
As Soon as Five Years Pass: Act 3, Scene 1 | González, Juan | Mixed media collage on paper | 1991 |
As Soon as Five Years Pass: Act 3, Scene 2 | González, Juan | Mixed media collage on paper | 1991 |
Untitled (Study for Wave) | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Verónica, Compas Abierto | Coderch de Sentmenat, José Antonio | Half-tone reproduction of photolithograph on paper | 1977 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985-1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Italian Door | Cano, Pedro | Watercolor and pastel on paper | c. 1985 - 1987 |
Cover for Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Sketch for Wave | Calatrava, Santiago | Watercolor and graphite on paper | 2001 |
Iniciando una Verónica | Coderch de Sentmenat, José Antonio | Half-tone reproduction of photolithograph on paper | 1977 |
Fijando al Toro con el Capote | Coderch de Sentmenat, José Antonio | Half-tone reproduction of photolithograph on paper | 1977 |
Corriendo al Toro | Coderch de Sentmenat, José Antonio | Half-tone reproduction of photolithograph on paper | 1977 |
Salida Del Toril | Coderch de Sentmenat, José Antonio | Half-tone reproduction of photolithograph on paper | 1977 |
La Condesa de Bureta | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Miguel Salamero | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
El tío Jorge | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Agustina Aragon | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Casta Álvarez | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Josef de la Hera | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Vista del costado de la yglesia del Hospital General de Nuestra Señora de Gracia | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Bateria del Portillo | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Alarma en la Torre del Pino | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Bateria de la Puerta del Carmen | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Ruinas del Interior de la yglesia del Hospital General de Nostra Señora de Gracia | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Bateria de la Puerta de Sancho | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Vista de la yglesia del Convento de S. Jose | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Ruinas del Interior de la yglesia del Carmen | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Vista General de Zaragoza | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Ruinas del Seminario | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
Combate de las Zaragozanas con los Dragones Franceses | Brambila, Fernando | Etching, aquatint on paper | 1812 or 1814 |
A Moor caught by the bull in the ring. | Goya y Lucientes, Francisco José de | Etching, burnished aquatint and drypoint | 1816 |
Sonnets of Góngora, book and suite of first state sonnets | Picasso, Pablo | Etchings, Sugar-lift aquatint and drypoint on vèlin du Marais watermarked ‘Gongora’ | 1948 |
Góngora (half title) | Picasso, Pablo | Etching, sugar-lift aquatint on China paper | 1948 |
Portrait of Góngora, after Velázquez | Picasso, Pablo | Etching, sugar-lift aquatint on China paper | 1947 |
Soneto Burlesco: A un excelente Pintor estranjero, que le estava retratando | Picasso, Pablo | Etching, sugar-lift aquatint and drypoint on China paper | 1947 |
Profile of a Woman crowned with flowers | Picasso, Pablo | Etching, sugar-lift aquatint on China paper | 1947 |
Soneto XVIII: Al Tramontar del Sol, la Ninfa mia… | Picasso, Pablo | Etching, sugar-lift aquatint, drypoint, and engraving on China paper | 1947 |
Blonde woman in profile | Picasso, Pablo | Etching, sugar-lift aquatint on China paper | 1947 |
Soneto XVII: Tres Vezes de Aquiló el soplo ayrado… | Picasso, Pablo | Etching, drypoint on China paper | 1947 |
A una dama, que quitando del dedo una sortija de diamantes, se hirió con un alfiler, de que salió mucha sangre | Picasso, Pablo | Etching, sugar-lift aquatint, drypoint, and engraving on China paper | 1947 |
Head of a woman, frontal view | Picasso, Pablo | Etching, drypoint on China paper | 1948 |
A la sangría del tovillo de una Dama | Picasso, Pablo | Etching, sugar-lift aquatint and drypoint on China paper | 1947 |
Bust portrait of a woman, frontal view | Picasso, Pablo | Etching, sugar-lift aquatint on China paper | 1947 |
Soneto Burlesco: A Licito, Cavallero muy necio y muy rico | Picasso, Pablo | Etching, sugar-lift aquatint and drypoint on China paper | 1947 |
Bust portrait of a woman, hand to her face | Picasso, Pablo | Etching, drypoint on China paper | 1948 |
Al Sepulcro de Dominico Greco excelente Pintor | Picasso, Pablo | Etching, drypoint on China paper | 1947 |
Woman with scarf | Picasso, Pablo | Etching, sugar-lift aquatint on China paper | 1947 |
A la Capilla de nuestra Señora de Sagrario | Picasso, Pablo | Etching, sugar-lift aquatint and drypoint on China paper | 1947 |
Head of a woman with long neck | Picasso, Pablo | Etching, sugar-lift aquatint on China paper | 1947 |
A una dama, que aviéndola conocido hermosa niña, la vió después hermosísima muger | Picasso, Pablo | Etching, sugar-lift aquatint and drypoint on China paper | 1947 |
Woman with polka dot bodice | Picasso, Pablo | Etching, sugar-lift aquatint on China paper | 1947 |
Woman drawing | Picasso, Pablo | Etching, drypoint on China paper | 1947 |
Soneto IX: A la muerte violenta, que Francisco Raballac dió al Rey Henrico Quatro de Francia | Picasso, Pablo | Etching, drypoint on China paper | 1948 |
Woman with long hair | Picasso, Pablo | Etching, sugar-lift aquatint on China paper | 1947 |
Soneto X: Al sol, porque salió estando con una Dama, y le fue forçoso dexarla | Picasso, Pablo | Etching, sugar-lift aquatint, drypoint, and engraving on China paper | 1947 |