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Title Artist Medium & Support Creation Date
Hobgoblins.  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1799 
The Chinchillas.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1799 
They spruce themselves up.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1799 
What a tailor can do!  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1799 
What a golden beak!  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1799 
The shamefaced one.  Goya y Lucientes, Francisco José de  Etching and aquatint  1799 
Until death.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1799 
To rise and to fall.  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1799 
The filiation.  Goya y Lucientes, Francisco José de  Etching and aquatint  1799 
Swallow it, dog.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1799 
And still they don't go!  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1799 
Trials.  Goya y Lucientes, Francisco José de  Etching, aquatint and burin  1799 
They have flown.  Goya y Lucientes, Francisco José de  Etching, aquatint and drypoint  1799 
Who would have thought it!  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1799 
Look how solemn they are!  Goya y Lucientes, Francisco José de  Etching, aquatint and drypoint  1799 
Bon voyage.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1799 
Where is mother going?  Goya y Lucientes, Francisco José de  Etching, aquatint and drypoint  1799 
There it goes.  Goya y Lucientes, Francisco José de  Etching, aquatint and drypoint  1799 
Wait till you've been anointed.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1799 
Pretty teacher!  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1799 
Blow.  Goya y Lucientes, Francisco José de  Etching, aquatint, drypoint and burin  1799 
Devout profession.  Goya y Lucientes, Francisco José de  Etching, aquatint and drypoint  1799 
When day breaks we will be off.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1799 
You will not escape.  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1799 
It is better to be lazy.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1799 
Don't scream, stupid.  Goya y Lucientes, Francisco José de  Etching and burnished aquatint   1799 
Can't anyone untie us?  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1799 
You understand?...well, as I say…eh! Look out! otherwise...  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1799 
What one does to another.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1799 
Be quick, they are waking up.  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1799 
No one has seen us.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1799 
It is time.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1799 
The way in which the ancient Spaniards hunted bulls on horseback in the open country.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1816 
Another way of hunting on foot.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
They play another with the cape in an enclosure.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
The spirited Moor Gazul is the first to spear bulls according to rules.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1816 
The Moors make a different play in the ring calling the bull with their burnous.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1816 
Origin of the harpoons or banderillas.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1816 
A Spanish knight kills the bull after having lost his horse.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1816 
Charles V spearing a bull in the ring at Valladolid.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
The Cid Campeador spearing another bull.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1816 
The rabble hamstring the bull with lances, sickles, banderillas and other arms.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1816 
A Spanish mounted knight in the ring breaking short spears without the help of assistants.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body.  Goya y Lucientes, Francisco José de  Etching, aquatint, drypoint and burin  1816 
The famous Martincho places the banderillas playing the bull with the movement of his body.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
The same man throws a bull in the ring at Madrid.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
The daring of Martincho in the ring at Saragossa.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1816 
Another madness of his in the same ring.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
The agility and audacity of Juanito Apiñani in [the ring] at Madrid.  Goya y Lucientes, Francisco José de  Etching and aquatint  1816 
Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, lavis, drypoint and burin  1816 
Manly courage of the celebrated Pajuelera in [the ring] at Saragosa.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
Mariano Ceballos, alias the Indian, kills the bull from his horse.  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1816 
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin on paper  1816 
They loose dogs on the bull.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1816 
A picador is unhorsed and falls under the bull.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1816 
The celebrated picador, Fernando del Toro, draws the fierce beast on with his pique.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1816 
Pepe Illo making the pass of the 'recorte'.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
Pedro Romero killing the halted bull.  Goya y Lucientes, Francisco José de  Etching, aquatint, drypoint and burin  1816 
Banderillas with firecrackers.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, lavis, drypoint and burin  1816 
Two teams of picadors thrown one after the other by a single bull.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
The unlucky death of Pepe Illo in the ring at Madrid.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1816 
Margarita of Austria  Goya y Lucientes, Francisco José de  Etching and drypoint on paper  1778 
Moenippus; Menipo Filosofo  Goya y Lucientes, Francisco José de  Etching on paper  1778 
Feminine folly  Goya y Lucientes, Francisco José de  Etching, aquatint and drypoint(?)  1864 
Folly of fear  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint(?)  1864 
Ridiculous folly  Goya y Lucientes, Francisco José de  Etching, aquatint and drypoint  1864 
Simpleton  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, burin and drypoint(?)  1864 
Flying folly  Goya y Lucientes, Francisco José de  Etching and aquatint  1864 
Cruel folly  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1864 
Disorderly folly  Goya y Lucientes, Francisco José de  Etching, aquatint and drypoint  1864 
The men in sacks  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1864 
General folly  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1864 
The horse-abductor  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1864 
Poor folly  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint and burin  1864 
Merry folly  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1864 
A way of flying  Goya y Lucientes, Francisco José de  Etching, aquatint and drypoint  1864 
Carnival folly  Goya y Lucientes, Francisco José de  Etching and aquatint  1864 
Clear folly  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and lavis  1864 
The Exhortations  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1864 
Loyalty  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  1864 
Funereal folly  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and burin  1864 
Los Disparates or Los Proverbios, 4 prints  Goya y Lucientes, Francisco José de  Etchings, aquatint, burnished aquatint, and drypoint (?) on paper  1877 
Well-known folly (Disparate conocido)  Goya y Lucientes, Francisco José de  Etching and burnished aquatint  printed 1877 
Precise folly (Disparate puntual)  Goya y Lucientes, Francisco José de  Etching, aquatint and drypoint(?)  printed 1877 
Animal folly (Disparate de bestia)  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint(?)  printed 1877 
Little Bulls' Folly [Fools' Folly] (Disparate de toritos [Disparate de tontos])  Goya y Lucientes, Francisco José de  Etching, aquatint and drypoint(?)  printed 1877 
What courage!  Goya y Lucientes, Francisco José de  Etching, aquatint, drypoint, burin and burnisher  1863 
Sad forebodings of what is going to happen.  Goya y Lucientes, Francisco José de  Etching, burin, drypoint and burnisher  1863 
Rightly or wrongly.  Goya y Lucientes, Francisco José de  Etching, lavis, drypoint, burin and burnisher  1863 
The same.  Goya y Lucientes, Francisco José de  Etching, lavis, drypoint, burin and burnisher  1863 
The women give courage.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, lavis, drypoint and burnisher  1863 
And they are like wild beasts.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint and drypoint  1863 
It serves you right.  Goya y Lucientes, Francisco José de  Etching, lavis and burin  1863 
It always happens.  Goya y Lucientes, Francisco José de  Etching and drypoint  1863 
They don't like it.  Goya y Lucientes, Francisco José de  Etching, burnished aquatint, drypoint, burin and burnisher  1863 
Nor [do these] either.  Goya y Lucientes, Francisco José de  Etching and burin  1863 
Neither do these.  Goya y Lucientes, Francisco José de  Etching, lavis, drypoint and burin  1863 
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