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Portrait of Elizabeth Meadows - Giacomo ManzùHorse and Rider - Marino MariniBather - Marino MariniThe Three Nymphs - Aristide MaillolLa Joie de Vivre - Jacques LipchitzWoman of Venice VI (Femme de Venise VI) - Alberto GiacomettiDynamic Angle (Ángulo dinámico) - Helen EscobedoMother and Child - Pierre DauraBlue Note - Xavier CorberóAeróvoro - Martín ChirinoUntitled - Santiago CalatravaPalme - Santiago CalatravaIl Dente - Santiago CalatravaWave - Santiago CalatravaInfant Saint John the Baptist - Luisa RoldánCorbel - Toledo SchoolThe Holy Family with Saint John - Sebastiano del PiomboOval miniature, representing a soldier with blue uniform. - Francisca Efigenia Meléndez y DurazzoLandscape - Paul GauguinSycamores and Farm in Winter - Pierre DauraGeometric, Blue and Brown - Pierre DauraDaura, Blue Smock - Pierre DauraChurch and Presbytery - Pierre DauraPortrait of Virginia Meadows - Alexander Benjamin ClaytonSeated Woman (Femme assise) - María BlanchardEl Tajo, Toledo - Aureliano de BerueteSaint Thomas Aquinas [recto] and Saint Francis of Assisi Receiving the Stigmata [verso] - Alonso López de HerreraCosmogonic Column, Grown-Up Column, Morphological Column, and Seated Column - Xavier CorberóUntitled (Bishop from Astorga Cathedral) - Miguel ZapataThe Lake - Fernando ZóbelView of Alquézar - Ignacio Zuloaga y ZabaletaLandscape with a Wreath of Flowers - Juan Van der Hamen y LeónUntitled - Agustín ÚbedaThe Progress of Industry - José María Sert y BadíaPeace - José María Sert y BadíaPortrait of a Girl - Eduardo Rosales GallinasPilgrimage Festival - Manuel Rodríguez de GuzmánPhilosopher with a Mirror (possibly Socrates) - Jusepe de RiberaVenetian Canal Scene - Antonio María Reyna ManescauAt the Back of the Garden - Albert Ràfols-CasamadaPortrait of César (?), the Artist’s Son - Francisco Pradilla y OrtizGirl with a Vase - Gabriel Morcillo RayaReligious Procession - Eugenio Lucas VelázquezTobias and the Angel - Ignacio de IriarteVirgin and Child with the Young Saint John the Baptist - Juan de HerreraManolita - Eugenio Hermoso MartínezBoy at a Table - Eugenio Hermoso MartínezPortrait of Luis de Góngora - Diego Rodríguez de Silva y VelázquezPortrait of the Duke of Medinaceli - José Casado del AlisalPortrait of the Duchess of Medinaceli - José Casado del AlisalThe Adoration of the Shepherds - El Greco (Doménikos Theotokópoulos)The Annunciation - El Greco (Doménikos Theotokópoulos)Christ Carrying the Cross - El Greco (Doménikos Theotokópoulos)Sunday at the Bullring - Francisco José de Goya y LucientesPicador - Francisco José de Goya y LucientesBulls Being Led through an Arch - Francisco José de Goya y LucientesSaint Francis of Assisi - Málaga SchoolSaint Paul the Hermit - Jusepe de RiberaSaint Ursula - Castilian SchoolMan and Girl - Unknown ArtistSeascape (Study for Beach at Portici) - Mariano Fortuny y MarsalOrgan - Pascoali Caetano OldoviniFigure from a Religious Scene [fragment] - Unknown ArtistSunday at the Bullring - Rafael DurancampsThe Morning Coiffure - Valeriano Domínguez BécquerKitten on a Pillow - Francisco Domingo MarquésThe Red Ribbon - Francisco Domingo MarquésUntitled - Antoni ClavéFátima - Eduardo Chicharro y AgüeraStill Life with Stained Glass - Humberto CalzadaAutumn Landscape - Mariano Barbasán y LagueruelaSaint Catherine of Siena - Cristofano AlloriWoman Spanking a Boy - Leonardo Alenza y NietoCard Players - Leonardo Alenza y NietoThe Immaculate Conception with a Wreath of Flowers - Unknown ArtistVision of Saint Anthony of Padua - Carlo Francesco NuvoloneStill Life with a Basket of Fruit - Unknown ArtistSaint Francis of Assisi Receiving the Stigmata - Unknown ArtistPortrait of an Unknown Man - Unknown ArtistPortrait of Sir Samford Whittingham - Unknown ArtistHead of Saint Peter [fragment] - Unknown ArtistRio San Trovaso, Venice - Martín Rico y OrtegaPastorela - Rafael CoronelUntitled Landscape - Unknown ArtistUntitled Landscape - Unknown ArtistPortrait of Aníbal Álvarez y Bougel - Juan Antonio de RiberaPortrait of Mari - Antonio SauraWasherwomen in Villanueva del Río, Andalusia (Seville) - José Arpa y PereaSaint Vicente Ferrer - Joan ReixachThe Blind Man of Toledo - Joaquín Sorolla y BastidaPortrait of Algur H. Meadows - Everett Raymond KinstlerPortrait of a Gentleman - Antonio María EsquivelMary Magdalene Discarding Her Jewels - José Gutiérrez de la VegaPortrait of Magdalena Lerrous Guerra - Agustín Esteve y MarqésChrist Child Appearing to Saint Anthony - Juan Van der Hamen y LeónVirgin and Child in Glory - Juan Van der Hamen y LeónGreat Black Relief (Grand Noir) - Antoni TàpiesThe Circus - Joan MiróQueen Louise of Prussia - Joan MiróPortrait of Ilya Ehrenburg - Diego RiveraCubist Landscape - Juan GrisStill Life in a Landscape - Pablo PicassoThe Bullfighter "El Segovianito" - Ignacio Zuloaga y ZabaletaAlforja - Joaquim Mir TrinxetThaw in the Pyrenees - Darío de Regoyos y ValdésView of Las Pedrizas from El Pardo - Joaquín Sorolla y BastidaRiver Landscape (Villennes-sur-Seine) - Emilio Sánchez PerrierSelf-Portrait - Raimundo de Madrazo y GarretaThe Smokers - José Jiménez ArandaLady at the Paris Exposition - Luis Jiménez ArandaFavorites of the Court - Antonio Casanova y EstorachLadies and Gentlemen Visiting a Patio of the Alcázar of Seville - Joaquín Domínguez BécquerRomantic Landscape - Pérez Villaamil GenaroCattle Drive - Eugenio Lucas VelázquezWoman Removing Her Garter - Antonio María EsquivelStill Life with Woodcocks - Francisco José de Goya y LucientesStudents from the Pestalozzian Academy [fragment] - Francisco José de Goya y LucientesPortrait of Queen María Isabel de Braganza y Borbón - Francisco José de Goya y LucientesYard with Madmen - Francisco José de Goya y LucientesPortrait of Francisco Sabatini - Francisco José de Goya y LucientesPortrait of the Marqués de Nevares - Vicente López PortañaPortrait of José Martínez de Hervás, Marqués de Almenara - Vicente López PortañaSaint Vincent Martyr Before Dacian - Vicente López PortañaSpain and the Four Parts of the World - Mariano Salvador MaellaThe Vision of Saint Francis in La Porciúncula - Francisco Bayeu y SubíasAllegory of the Spanish Monarchy - Antonio González VelázquezPortrait of the Cardinal Infante Don Luis Antonio de Borbón - Antonio González RuizThe Immaculate Conception - Antonio de Palomino y VelascoSaint Anthony of Padua Holding the Christ Child - Andalusian SchoolThe Immaculate Conception - Juan de SevillaStill Life with Flowers, Pears, and Other Fruits - Juan de ArellanoStill Life with Flowers, Peaches, and Red Plums - Juan de ArellanoStill Life with Game Fowl - Pedro de Camprobín PassanoStill Life with Ram's Head - Sevillian SchoolChrist on the Cross with the Virgin, Mary Magdalene, and Saint John - Bartolomé Esteban MurilloSaint Rufina - Bartolomé Esteban MurilloSaint Justa - Bartolomé Esteban MurilloJacob Laying Peeled Rods before the Flocks of Laban - Bartolomé Esteban MurilloThe Immaculate Conception - Bartolomé Esteban MurilloJoachim and the Angel - Juan de Valdés LealThe Mystic Marriage of Saint Catherine of Siena - Francisco de ZurbaránSaint Jerome - Juan Martín CabezaleroPortrait of Michol (Miguel Pol?) - Juan Carreño de MirandaThe Flaying of Saint Bartholomew - Juan Carreño de MirandaSaint Catherine of Alexandria Dominating the Emperor Maxentius - Claudio CoelloSaint Joseph and the Christ Child - Antonio de Pereda y SalgadoPortrait of Sir Arthur Hopton - Unknown ArtistPortrait of a Knight of Santiago - Jusepe de RiberaSaint John the Baptist - Juan Martínez MontañésPortrait of Queen Mariana - Diego Rodríguez de Silva y VelázquezFemale Figure (Sibyl with Tabula Rasa) - Diego Rodríguez de Silva y VelázquezPortrait of King Philip IV - Diego Rodríguez de Silva y VelázquezPortrait of an Ecclesiastic - Unknown ArtistAcacius and the 10,000 Martyrs on Mount Ararat - Francisco GallegoAdoration of the Shepherds - Juan Bautista MainoSaint Ignatius Loyola - Unknown ArtistSaint Francis Kneeling in Meditation - El Greco (Doménikos Theotokópoulos)Portrait of the Archduchess Infanta Isabella Clara Eugenia - Juan Pantoja de la CruzPortrait of the Archduke Albert - Juan Pantoja de la CruzPortrait of Alessandro Farnese - Anthonis MorPietà - Luis de MoralesThe Investiture of Saint Ildefonsus - Juan de BorgoñaSaint Sebastian - Fernando Yáñez de la AlmedinaLamentation - Alejo de VahíaSaint Blaise - Martín BernatCatalan Liturgical Cabinet - Unknown ArtistCapital from Madinat al-Zahra' - Unknown MakerWar Means Fighting for the Health and Strength of the Spanish and Their Children - Unknown ArtistMay the Rear Guard Aid Those on the Front Lines - Unknown ArtistThe Nationalists - Juan Antonio MoralesTwenty-Nine Miniatures of the family and court of Charles IV - Francisca Efigenia Meléndez y DurazzoEveryone Work Together for a Strong and Disciplined Rear Guard - Unknown ArtistOne Cannot Live without Liberty - Unknown ArtistAll kinds of sacrifices are needed to win the war   - Unknown ArtistLa Moda Elegante Illustrada - Unknown MakerBroken Man - Juan GenovésYoung Man Picking at Lice (Un Pouilleux) - Mariano Fortuny y MarsalFortune Tellers (Tiruse de Cartes) - Mariano Fortuny y MarsalTwo Cardinals (Deux Cardinaux) - Mariano Fortuny y MarsalSeated Arab (Arabe Assis) - Mariano Fortuny y MarsalSeated Arab (Arabe Assis) - Mariano Fortuny y MarsalBeggar - Mariano Fortuny y MarsalShoeing a Mule in Morocco (Maréchal Ferrant au Maroc) - Mariano Fortuny y MarsalA Sevillian street (Une rue de Seville) - Mariano Fortuny y MarsalSketch (Croquis) - Mariano Fortuny y MarsalRecumbent Figure - Mariano Fortuny y MarsalHen Women - Salvador DalíKnight and Death - Salvador DalíCalf's Head - Salvador DalíKneeling Knight - Salvador DalíSator - Salvador DalíOld Faust - Salvador DalíWoman with Clown - Salvador DalíThe Bust - Salvador DalíWitch on a Broom - Salvador DalíWoman with Pig - Salvador DalíPortrait of Marguerite - Salvador DalíMountain of Peace - Salvador DalíThe Bust of Mao - Salvador DalíThe Tortoise - Salvador DalíRiver of Plenty - Salvador DalíThe Flowers - Salvador DalíThe Demons - Salvador DalíThe Dragon - Salvador DalíThe Little Horses - Salvador DalíMichelangelo - Salvador DalíInferno, Canto 17, “The Userers” from The Divine Comedy - Salvador DalíApparition of the Rose from The Magic Butterfly and the Flowers - Salvador DalíThe Wedding - Antonio Casanova y EstorachThe Distaff Side - Jean CharlotEl Volador - Jean CharlotEl Volador - Jean CharlotRuinas del Seminario - Fernando BrambilaRuinas del Patio del Hospital General de N. S. de Gracia - Fernando BrambilaRuina segunda del interior de la yglesia del Hospital General de Nuestra Señora de Gracia - Fernando BrambilaRuinas del Patio de Sta. Engracia - Fernando BrambilaExplosion de la Yglesia de Sta. Engracia - Fernando BrambilaPatio del Convento de las Monjas de Sta. Catalina - Fernando BrambilaHispano-Moresque Charger - Unknown ArtistOstrich Hunt - Ametller BlasUntitled - Alfons BorrellThe Immaculate Conception - Ramón Bayeu y SubíasThe Immaculate Conception - Ramón Bayeu y SubíasInterior of the Chapel of San Fernando - Matías de Arteaga y AlfaroThe Triumph of Saint Ferdinand - Juan de Valdés LealThe Giralda of Seville - Matías de Arteaga y AlfaroThe Cathedral of Seville - Matías de Arteaga y AlfaroAltar to Saint Ferdinand - Matías de Arteaga y AlfaroUntitled - Sergi AguilarPanoramic 4 - "I, estesa sobre lo cors, besant la boca freda, mesclava les sues llàgremes calentes ab les fredes de Tirant, e volent pronunciar no podia ni sabia tristes paraules a tanta dolor conformes. I, ab les mans tremolant, los ulls de Tirant obria, - Manuel BoixUntitled - Manuel BoixLàmina VIII - "En les flames d'or se cremaven tals lletres: C.C.C., i en les flames de foc se cremaven aquestes: T.T.T., significant per açò que l'or del seu amor cremant s'apurava en les flames de Carmesina." (Capítol 485) - Manuel BoixLàmina VII - "E, estant en aquestes paraules, Tirant llançà un gran crit." (Capítol 471) - Manuel BoixLàmina VI - "E, per tornes, vos volem dar nostra filla Carmesina per muller, si vostra virtut la volrà, car nós som ja en tal edat posat que no som per a regir ni menys defendre l'Imperi ." (Capítol 452) - Manuel BoixLàmina V - "En poca hora Tirant hagué vençuda la batalla delitosa, e la Princessa reté les armes e abandonà's mostrant-se esmortida." (Capítol 436) - Manuel BoixLàmina IV - "E lo drac que véu que l'home no es movia, ans estava esperant, e molt gentilment e suau s'acostà a ell e besà'l en la boca." (Capítol 411) - Manuel BoixLàmina III - "E per a vós, Tirant, conquistar lo món és xica paraula. Per lo gran efecte de vostres obres, lo Gran Turc tremola e lo Soldà temoreja que Tirant encara sia sobre la terra." (Capítol 396) - Manuel BoixLàmina II - "Com foren atesos a la ciutat, atendaren-se aquí e posaren siti entorn de la ciutat molt prop, a dos tirs de ballesta." (Capítol 384) - Manuel BoixLàmina I - "Estant en aquestes raons, entrà per la tenda lo senyor d'Agramunt tot torbat, ab l'espasa nua en la mà, sabent com Tirant s'era esmortit en los braços de la donzella." (Capítol 362) - Manuel BoixUntitled - Manuel BoixFrontispici - "Està de continu la proa del meu desig al perillós port d'honc navegant per la tempestuosa mar d'amor, per la qual no sols lo treballar mas lo morir és glòria tal, que en les penses dels mortals oblidar no es lleixa." (Capítol 402) - Manuel BoixPanoramic 3 - "Oh, com sou donzella de mal comport! Eixiu ara del bany e teniu les carns llises e gentils, prenc gran delit en tocar-les ." (Capítol 233) - Manuel BoixUntitled - Manuel BoixLàmina VIII - "E veren acostar una esquadra de gent ab una bandera blava on hi havia pintat un eixam d'abelles totes d'or, e tots feien gran esforç de matar lo rei Escariano." (Capítol 349) - Manuel BoixLàmina VII - "E aquest Rei era son germà, coneixent-lo molt bé en les armes, e sobre lo bacinet que portava una gran bogia tota d'or, ab moltes pedres precioses que tenia entorn." (Capítol 340)s pedres preciouses que tenia entorn. (Capítol 340) - Manuel BoixLàmina VI - "E véu ab los ulls de la pensa camí per on la sancta crestiandat poria ésser exalçada, deliberà de mostrar molta amor a la Reina perquè tingués voluntat de fer-se crestiana, no perjudicant en res l'amor que tenia a la sua Princessa." (Cap.342) - Manuel BoixLàmina V - "Senyor, io no crec que natura pogués formar un cors mortal ab més perfecció, car pintor no poguera pintar un cors més bell del que io he vist." (Capítol 299) - Manuel BoixLamina IV - "E, pensant en si, tingué dubte que los espills no li representassen fals lo que havia vist, e trencà los espills mirant dins si havia alguna cosa maliciosa que fos feta per art de nigromància, e no trobà res del que pensava." (Capítol 283) - Manuel BoixLàmina III - "Certament - dix l'Emperadriu -, sí poden fer, per ço com t'est enamorat de ta mare e has mostrada la tua valentia." (Capítol 262) - Manuel BoixLàmina II - "Estant en aquestes raons, entrà la Viuda Reposada, e la Princessa la pregà que es banyàs ab ella." (Capítol 231) - Manuel BoixLàmina I - "Per força o per grat, ell passarà a vós, aprés vos farà tres figues e les vos posarà en la barba. Aprés vos dirà: " Na mala dona, ni grat ni gràcies, ara que n'he hagut lo que desijava." (Capítol 215) - Manuel BoixUntitled - Manuel BoixFrontispici - "E, tota nua, se n'anà per l'aigua seguint la vora de la mar." (Capítol 299) - Manuel BoixPanoramic 2 - "E, cansats de matar, l'hora era ja tarda." (Capítol 157) - Manuel BoixUntitled - Manuel BoixLàmina VIII - "E tota la nau cuberta era d'aquell mateix drap." (Capítol 190) - Manuel BoixLàmina VII - "Com la Princessa se fon pentinada, posà la mà davall la roba e pentinava a Tirant." (Capítol 189) - Manuel BoixLàmina VI - "E tantes eren les llances trencades e los pavesos, dards e fletxes a passadors, que los cossos morts qui en la mar llançaven no es podien afonar davall l'aigua." (Capítol 164) - Manuel BoixLàmina V - "En les seus tendes, los uns lluiten, los altres salten, e juguen los uns a taules, los altres a escacs; los uns se fan folls, los altres assenats; los uns parlen de guerra, los altres d´amors; los uns sonen llaüt, ..." (Capítol 154) - Manuel BoixLàmina IV - "E bèsa-la tres voltes en la boca, a honor de la Sancta Trinitat." (Capítol 146) - Manuel BoixLàmina III - "Tirant féu portar un drap de ras en mig d´una praderia, e un banc en què lo moro estigués de peus." (Capítol 142) - Manuel BoixLàmina II - "Llavors ella hagué plena notícia que per ella se faïa la festa." (Capítol 127) - Manuel BoixLàmina I - "E, per la gran calor que feïa, perquè havia estat ab les finestres tancades, estava mig descordada." (Capítol 118) - Manuel BoixUntitled - Manuel BoixFrontispici - "¿No seria bo, puix l'Emperador està a la finestra e totes les dames són eixides per mirar-nos, que cavalcàssem los cavalls encubertats ab los bacinets al cap, puix tenim pennatxos grans e bells?." (Capítol 133) - Manuel BoixPanoramic 1 - "E totes aquestes coses, senyor, no pense vostra senyoria sien fetes per encantament ni per art de nigromància, sinó artificialment." (Capítol 55) - Manuel BoixUntitled - Manuel BoixLàmina VIII - "¿E si és veritat lo que diu aquest filòsof?." (Capítulo 110) - Manuel BoixLàmina VII - "E donen-ho, per amor de Déu, en reverència dels dotze Apòstols." (Capítol 102) - Manuel BoixLàmina VI - "La fel li esclatà, e aquí de continent morí." (Capítol 80) - Manuel BoixLàmina V - "Veus ací amor e dolor." (Capítol 67) - Manuel BoixLàmina IV - "Tirant ab la mà pres lo fermall e besà'l." (Capítol 60) - Manuel BoixLàmina III - "A mi dien Tirant lo Blanc." (Capítol 22) - Manuel BoixLàmina II - "E tan prestament com pogué, lo Rei ermità li tallà la testa." (Capítol 19) - Manuel BoixLàmina I - "Mon fill, plora la dolorosa partida de ton pare, e faràs companyia a la trista de ta mare." (Capítol tercer) - Manuel BoixUntitled - Manuel BoixFrontispici - "Manam sia pujat sobre un gran cavall tot blanc." (Capítol 58) - Manuel BoixTirant lo Blanc, Volume IV - Manuel BoixTirant lo Blanc, Volume III - Manuel BoixTirant lo Blanc, Volume II - Manuel BoixTirant lo Blanc, Volume I - Manuel BoixVaquero de Andalucía - José Ribelles y HelipLabrador de Estremadura - José Ribelles y HelipCarretero del Reyno de Valencia - José Ribelles y HelipCarbonero de la Alcarria - José Ribelles y HelipColona del Marquesado de Albayda Reyno de Valencia - José Ribelles y HelipColonel del Marquesado de Albayda Reyno de Valencia - José Ribelles y HelipMozo de Cordel - José Ribelles y HelipPobre de Sn. Bernardino - José Ribelles y HelipPatron Mallorquino - José Ribelles y HelipPastor Aldeano en la provincia de Alicante - José Ribelles y HelipVentera de Sierramorena - José Ribelles y HelipVentero de Sierramorena - José Ribelles y HelipSerrano de Castilla la Vieja - José Ribelles y HelipSerrano de Castilla la Vieja - José Ribelles y HelipSereno de Madrid en el Año 1832 - José Ribelles y HelipCarretero Catalan - José Ribelles y HelipMenestral Vizcayno - José Ribelles y HelipFahonero de Madrid - José Ribelles y HelipOperario de las Fab. Cas de Alcoy - José Ribelles y HelipChispero de Madrid - José Ribelles y HelipPescador de la Costa del Mediterraneo - José Ribelles y HelipSegador Valenciano - José Ribelles y HelipLabradora del Condado de Concentaina: Reyno de Valencia - José Ribelles y HelipLabrador del Condado de Concentaina: Reyno de Valencia - José Ribelles y HelipMozo de Baños del Río Manzanares - José Ribelles y HelipBañera del Río Manzanares - José Ribelles y HelipSegador Gallego - José Ribelles y HelipCiego de la Zampona - José Ribelles y HelipRoncalesa - José Ribelles y HelipRoncales - José Ribelles y HelipLabrador de Vizcaya - José Ribelles y HelipMarinero de la Costa del Mediterraneo - José Ribelles y HelipMarinero de la Costa del Norte - José Ribelles y HelipValenciano Venedor de Loza - José Ribelles y HelipLabrador Valenciano de la raya de Aragón - José Ribelles y HelipBolera - José Ribelles y HelipBolero - José Ribelles y HelipFrage de España - José Ribelles y HelipCollection of Costumes of Spain, series of 39 prints - José Ribelles y HelipThree Piece Reclining Figure, No. 1 - Henry MooreOval miniature, representing a young woman, probably member of the royal family, with powdered hair and blue dress. - Francisca Efigenia Meléndez y DurazzoOval miniature, representing a young man of the court with powdered hair and violet dress coat with overall decoration. - Francisca Efigenia Meléndez y DurazzoOval miniature, representing a gentleman with powdered hair, overall decoration and blue band on a black dress coat. - Francisca Efigenia Meléndez y DurazzoOval miniature, representing a young woman with a white collar closed with roses. - Francisca Efigenia Meléndez y DurazzoOctagonal miniature, representing a soldier with powdered hair. - Francisca Efigenia Meléndez y DurazzoRectangular miniature, representing a soldier with red uniform. - Francisca Efigenia Meléndez y DurazzoOval miniature, representing a gentleman with powdered hair and blue dress coat. - Francisca Efigenia Meléndez y DurazzoOval miniature, representing a gentleman with powdered hair, blue dress coat and white collar. - Francisca Efigenia Meléndez y DurazzoOval miniature, representing a gentleman with blue dress coat and gold buttons. - Francisca Efigenia Meléndez y DurazzoOval miniature, representing a lady with ample wig adorned with jewels and feathers. - Francisca Efigenia Meléndez y DurazzoOval miniature, representing a gentleman with blue dress coat and embroidered cross of a military order. - Francisca Efigenia Meléndez y DurazzoSmall oval miniature, probably for a ring, representing a lady with pearls. - Francisca Efigenia Meléndez y DurazzoOval miniature, representing a lady (the same as in number 11 but of a larger size). - Francisca Efigenia Meléndez y DurazzoSmall oval miniature, probably for a ring, representing a lady with jewels and a blue dress. - Francisca Efigenia Meléndez y DurazzoOctagonal miniature, representing a lady with coral jewelry and dressed in gauze with blue adornments. - Francisca Efigenia Meléndez y DurazzoCircular miniature, representing Don Manuel Godoy. - Francisca Efigenia Meléndez y DurazzoCircular miniature, representing a young woman with a white dress and flowers in her hair. (Condesa de Chinchón?) - Francisca Efigenia Meléndez y DurazzoOval miniature, representing the Prince of Asturias, Fernando. - Francisca Efigenia Meléndez y DurazzoCircular miniature, representing a girl seated in an armchair, holding flowers in her hands (probably an infanta). - Francisca Efigenia Meléndez y DurazzoOval miniature, probably for a ring, representing the Queen María Luisa de Parma in profile, wearing a blue dress. - Francisca Efigenia Meléndez y DurazzoCircular miniature, representing the Queen María Luisa de Parma frontally, wearing a blue dress with feathers and pink ribbons. - Francisca Efigenia Meléndez y DurazzoCircular miniature, representing Don Manuel Godoy. - Francisca Efigenia Meléndez y DurazzoCircular miniature, representing King Charles IV. - Francisca Efigenia Meléndez y DurazzoCircular miniature, representing Queen María Luisa de Parma, frontally, with green dress and red ribbon in her hair. - Francisca Efigenia Meléndez y DurazzoCircular miniature, representing Queen María Luisa de Parma, frontally, with blue dress, white collar and touches of white and blue. - Francisca Efigenia Meléndez y DurazzoCircular miniature, representing a boy, dressed in white with a sash and blue ribbons. - Francisca Efigenia Meléndez y DurazzoOval miniature, representing Don Antonio de Borbón. - Francisca Efigenia Meléndez y DurazzoCircular miniature, representing a lady, with a sash across her dark dress with gauze collar. - Francisca Efigenia Meléndez y DurazzoDocument to Doña Francisca Meléndez by the secretary of Queen María Luisa de Parma on 26th of February 1795. - Francisca Efigenia Meléndez y DurazzoSpirit's Flight - Isamu NoguchiGeometric Mouse, Scale A - Claes OldenburgSho - Jaume PlensaTwo Open Rectangles Horizontal - George RickeyModern Muse (Meditation with Arms, Eve in Despair) - Auguste RodinFigure with Raised Arms - Fritz WotrubaPortrait of His Majesty Juan Carlos I, King of Spain - Miguel ZapataLuminous - Gerardo RuedaCubi VIII - David SmithA Group of Knights Adoring the Virgin of the Immaculate Conception - Unknown ArtistStudy for the Fountain of Apollo in the Paseo - Unknown ArtistMohler Barn - Pierre DauraVirginiana - Pierre DauraStreet, Boy in White Shirt - Pierre DauraAjaccio - Pierre DauraSnowy Field - Pierre DauraMohler Barn - Pierre DauraMohler Barn II - Pierre DauraRoofs to Church - Pierre DauraRoofs to Daura's Studio - Pierre DauraDaura Studio - Pierre DauraOxen - Pierre DauraOxen II - Pierre DauraCatalan Girl - Pierre DauraLouise - Pierre DauraSiesta - Pierre DauraLouise II - Pierre DauraLouise III - Pierre DauraMrs. W. Northrop - Pierre DauraLelia Northrop - Pierre DauraMartha - Pierre DauraTree Limbs & Roots - Pierre DauraTree Limbs & Roots II - Pierre DauraDaura - Pierre DauraMartha II - Pierre DauraAwake Martha? - Pierre DauraMartha III - Pierre DauraRue de la Fourdonne - Pierre DauraUpper Village - Pierre DauraVillage Roofs - Pierre DauraColomb House - Pierre DauraSketch - Pierre DauraChapel - Pierre DauraStudy of a Girl in a Chair - Francisco Domingo MarquésThe Report - Roberto Domingo y FallolaA Gallant - Mariano Fortuny y MarsalArab Bazaar - Mariano Fortuny y MarsalFair in Goya's Time (Feria en tiempo de Goya) - Unknown ArtistHalberdier - Mariano Fortuny y MarsalPortrait of a Girl - Mariano Fortuny y MarsalStudies of El Arcabucero - Mariano Fortuny y MarsalPersonnage aux grandes mains (Figure with Big Hands) [recto] - Julio GonzálezStudy for the Cactus Man (Etude pour l’homme cactus) - Julio GonzálezStudy of a Large Figure (Etude d’homme massif) - Julio GonzálezCircus Parade - José Jiménez ArandaStudy of a Man Dressed in the Fashion of the Eighteenth Century - José Jiménez ArandaMaidens Disarming Don Quixote - José Jiménez ArandaThe Cardinal Virtues (Prudence & Justice) - Vicente López PortañaThe Cardinal Virtues (Fortitude & Temperance) - Vicente López PortañaPortrait of a Lady - Raimundo de Madrazo y GarretaFlyleaf from Miro's "Cartones," 1959–1965 - Joan MiróMiró Cartones, 1959-1965 - Joan MiróRoman Sketchbook - Antonio PrimoSaint Jerome in the Wilderness - Francisco RibaltaAngel with Right Arm Raised - Eduardo Rosales GallinasMiró Cartones, Drawing on flyleaf and book - Joan MiróNude Girl - Ismael SmithPortrait of Isaac Albéniz - Ismael SmithSketches for the Portrait of the Condesa de San Félix - Joaquín Sorolla y BastidaPersonnages (Verbena) - Fernando VillodasPersonnages - Fernando VillodasChristmas Bells - Pierre DauraUn Observador de la 39 Brigada Mixta Teruel 1937 - Pierre DauraAndrés Martín de Tierra y Libertad Madrid y Teruel - Pierre DauraCarboneras Teruel 1937 - Pierre DauraEn Aragon Reconquis Teruel 59 BaMa 13 C. de E. 1937 - Pierre DauraCivilisation 1937: The Innocent Victims of Valdecuenca Teruel - Pierre DauraCivilisation 1937: La Cultura del Odio - Pierre DauraCivilisation 1937: Bronchales Teruel - Pierre DauraCivilisation 1937: Bronchales Teruel Fascist Clean up - Pierre DauraDaura with Scarf - Pierre DauraSaint Circ la Popie - Pierre DauraSaint Circ - Pierre DauraSaint Circ la Popie Rue des Marchands - Pierre DauraMaison Daura - Pierre DauraChurch - Pierre DauraOlimpia Torres in White Blouse - Pierre DauraAsco: Spain - Pierre DauraVilla Carlos Minorque - Pierre DauraCalafons à Minorque - Pierre DauraRue Cujas - Tour de Clovis - Pierre DauraCari[tas] (San Francisco de Paula) - Francisco José de Goya y LucientesAesopus; Esopo el Fabulador - Francisco José de Goya y LucientesIt is nicely stretched. (Bien tirada está.) - Francisco José de Goya y LucientesThe famous American, Mariano Ceballos - Francisco José de Goya y LucientesPicador caught by a bull - Francisco José de Goya y LucientesSpanish entertainment - Francisco José de Goya y LucientesBull fight in a divided ring - Francisco José de Goya y LucientesMay God Repay You - Francisco José de Goya y LucientesThe Garrotted Man - Francisco José de Goya y LucientesHorse thrown by a bull. - Francisco José de Goya y LucientesThe dogs let loose on the bull. - Francisco José de Goya y LucientesFrancisco Goya y Lucientes, Painter. - Francisco José de Goya y LucientesThey say yes and give their hand to the first comer. - Francisco José de Goya y LucientesHere comes the bogey-man. - Francisco José de Goya y LucientesNanny's boy. - Francisco José de Goya y LucientesTwo of a kind. - Francisco José de Goya y LucientesNobody knows himself. - Francisco José de Goya y LucientesEven thus he cannot make her out. - Francisco José de Goya y LucientesThey carried her off! - Francisco José de Goya y LucientesTantalus. - Francisco José de Goya y LucientesLove and death. - Francisco José de Goya y LucientesLads making ready. - Francisco José de Goya y LucientesOut hunting for teeth. - Francisco José de Goya y LucientesThey are hot. - Francisco José de Goya y LucientesWhat a sacrifice! - Francisco José de Goya y LucientesPretty teachings. - Francisco José de Goya y LucientesFor heaven's sake: and it was her mother. - Francisco José de Goya y LucientesIt is nicely stretched. - Francisco José de Goya y LucientesAnd his house is on fire. - Francisco José de Goya y LucientesAll will fall. - Francisco José de Goya y LucientesThere they go plucked (i.e. fleeced). - Francisco José de Goya y LucientesHow they pluck her! - Francisco José de Goya y LucientesPoor little girls! - Francisco José de Goya y LucientesThose specks of dust. - Francisco José de Goya y LucientesNothing could be done about it. - Francisco José de Goya y LucientesYes he broke the pot. - Francisco José de Goya y LucientesThey've already got a seat (i.e. bottom). - Francisco José de Goya y LucientesWhich of them is the more overcome? - Francisco José de Goya y LucientesHush. - Francisco José de Goya y LucientesThat certainly is being able to read. - Francisco José de Goya y LucientesWhy hide them? - Francisco José de Goya y LucientesShe prays for her. - Francisco José de Goya y LucientesBecause she was susceptible. - Francisco José de Goya y LucientesTo the Count Palatine or Count of the Palate. - Francisco José de Goya y LucientesSleep overcomes them. - Francisco José de Goya y LucientesShe fleeces him. - Francisco José de Goya y LucientesA bad night. - Francisco José de Goya y LucientesMight not the pupil know more? - Francisco José de Goya y LucientesBravo! - Francisco José de Goya y LucientesAnd so was his grandfather. - Francisco José de Goya y LucientesOf what ill will he die? - Francisco José de Goya y LucientesNeither more nor less. - Francisco José de Goya y LucientesThou who canst not. - Francisco José de Goya y LucientesThe sleep of reason produces monsters. - Francisco José de Goya y LucientesThey spin finely. - Francisco José de Goya y LucientesThere is plenty to suck. - Francisco José de Goya y LucientesCorrection. - Francisco José de Goya y LucientesA gift for the master. - Francisco José de Goya y LucientesTale-bearers--Blasts of wind. - Francisco José de Goya y LucientesHobgoblins. - Francisco José de Goya y LucientesThe Chinchillas. - Francisco José de Goya y LucientesThey spruce themselves up. - Francisco José de Goya y LucientesWhat a tailor can do! - Francisco José de Goya y LucientesWhat a golden beak! - Francisco José de Goya y LucientesThe shamefaced one. - Francisco José de Goya y LucientesUntil death. - Francisco José de Goya y LucientesTo rise and to fall. - Francisco José de Goya y LucientesThe filiation. - Francisco José de Goya y LucientesSwallow it, dog. - Francisco José de Goya y LucientesAnd still they don't go! - Francisco José de Goya y LucientesTrials. - Francisco José de Goya y LucientesThey have flown. - Francisco José de Goya y LucientesWho would have thought it! - Francisco José de Goya y LucientesLook how solemn they are! - Francisco José de Goya y LucientesBon voyage. - Francisco José de Goya y LucientesWhere is mother going? - Francisco José de Goya y LucientesThere it goes. - Francisco José de Goya y LucientesWait till you've been anointed. - Francisco José de Goya y LucientesPretty teacher! - Francisco José de Goya y LucientesBlow. - Francisco José de Goya y LucientesDevout profession. - Francisco José de Goya y LucientesWhen day breaks we will be off. - Francisco José de Goya y LucientesYou will not escape. - Francisco José de Goya y LucientesIt is better to be lazy. - Francisco José de Goya y LucientesDon't scream, stupid. - Francisco José de Goya y LucientesCan't anyone untie us? - Francisco José de Goya y LucientesYou understand?...well, as I say…eh! Look out! otherwise... - Francisco José de Goya y LucientesWhat one does to another. - Francisco José de Goya y LucientesBe quick, they are waking up. - Francisco José de Goya y LucientesNo one has seen us. - Francisco José de Goya y LucientesIt is time. - Francisco José de Goya y LucientesThe way in which the ancient Spaniards hunted bulls on horseback in the open country. - Francisco José de Goya y LucientesAnother way of hunting on foot. - Francisco José de Goya y LucientesThe Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open. - Francisco José de Goya y LucientesThey play another with the cape in an enclosure. - Francisco José de Goya y LucientesThe spirited Moor Gazul is the first to spear bulls according to rules. - Francisco José de Goya y LucientesThe Moors make a different play in the ring calling the bull with their burnous. - Francisco José de Goya y LucientesOrigin of the harpoons or banderillas. - Francisco José de Goya y LucientesA Spanish knight kills the bull after having lost his horse. - Francisco José de Goya y LucientesCharles V spearing a bull in the ring at Valladolid. - Francisco José de Goya y LucientesThe Cid Campeador spearing another bull. - Francisco José de Goya y LucientesThe rabble hamstring the bull with lances, sickles, banderillas and other arms. - Francisco José de Goya y LucientesA Spanish mounted knight in the ring breaking short spears without the help of assistants. - Francisco José de Goya y LucientesThe very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. - Francisco José de Goya y LucientesThe famous Martincho places the banderillas playing the bull with the movement of his body. - Francisco José de Goya y LucientesThe same man throws a bull in the ring at Madrid. - Francisco José de Goya y LucientesThe Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls. - Francisco José de Goya y LucientesThe daring of Martincho in the ring at Saragossa. - Francisco José de Goya y LucientesAnother madness of his in the same ring. - Francisco José de Goya y LucientesThe agility and audacity of Juanito Apiñani in [the ring] at Madrid. - Francisco José de Goya y LucientesDreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon. - Francisco José de Goya y LucientesManly courage of the celebrated Pajuelera in [the ring] at Saragosa. - Francisco José de Goya y LucientesMariano Ceballos, alias the Indian, kills the bull from his horse. - Francisco José de Goya y LucientesThe same Ceballos mounted on another bull breaks short spears in the ring at Madrid. - Francisco José de Goya y LucientesThey loose dogs on the bull. - Francisco José de Goya y LucientesA picador is unhorsed and falls under the bull. - Francisco José de Goya y LucientesThe celebrated picador, Fernando del Toro, draws the fierce beast on with his pique. - Francisco José de Goya y LucientesThe forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid. - Francisco José de Goya y LucientesPepe Illo making the pass of the 'recorte'. - Francisco José de Goya y LucientesPedro Romero killing the halted bull. - Francisco José de Goya y LucientesBanderillas with firecrackers. - Francisco José de Goya y LucientesTwo teams of picadors thrown one after the other by a single bull. - Francisco José de Goya y LucientesThe unlucky death of Pepe Illo in the ring at Madrid. - Francisco José de Goya y LucientesMargarita of Austria - Francisco José de Goya y LucientesMoenippus; Menipo Filosofo - Francisco José de Goya y LucientesFeminine folly - Francisco José de Goya y LucientesFolly of fear - Francisco José de Goya y LucientesRidiculous folly - Francisco José de Goya y LucientesSimpleton - Francisco José de Goya y LucientesFlying folly - Francisco José de Goya y LucientesCruel folly - Francisco José de Goya y LucientesDisorderly folly - Francisco José de Goya y LucientesThe men in sacks - Francisco José de Goya y LucientesGeneral folly - Francisco José de Goya y LucientesThe horse-abductor - Francisco José de Goya y LucientesPoor folly - Francisco José de Goya y LucientesMerry folly - Francisco José de Goya y LucientesA way of flying - Francisco José de Goya y LucientesCarnival folly - Francisco José de Goya y LucientesClear folly - Francisco José de Goya y LucientesThe Exhortations - Francisco José de Goya y LucientesLoyalty - Francisco José de Goya y LucientesFunereal folly - Francisco José de Goya y LucientesFour prints from the series Follies (Disparates) - Francisco José de Goya y LucientesWell-known folly (Disparate conocido) - Francisco José de Goya y LucientesPrecise folly (Disparate puntual) - Francisco José de Goya y LucientesAnimal folly (Disparate de bestia) - Francisco José de Goya y LucientesLittle Bulls' Folly [Fools' Folly] (Disparate de toritos [Disparate de tontos]) - Francisco José de Goya y LucientesWhat courage! - Francisco José de Goya y LucientesSad forebodings of what is going to happen. - Francisco José de Goya y LucientesRightly or wrongly. - Francisco José de Goya y LucientesThe same. - Francisco José de Goya y LucientesThe women give courage. - Francisco José de Goya y LucientesAnd they are like wild beasts. - Francisco José de Goya y LucientesIt serves you right. - Francisco José de Goya y LucientesIt always happens. - Francisco José de Goya y LucientesThey don't like it. - Francisco José de Goya y LucientesNor [do these] either. - Francisco José de Goya y LucientesNeither do these. - Francisco José de Goya y LucientesThis is what you were born for. - Francisco José de Goya y LucientesBitter to be present. - Francisco José de Goya y LucientesIt's a hard step! - Francisco José de Goya y LucientesAnd there's no help for it. - Francisco José de Goya y LucientesThey make use of them. - Francisco José de Goya y LucientesThey do not agree. - Francisco José de Goya y LucientesBury them and keep quiet. - Francisco José de Goya y LucientesThere isn't time now. - Francisco José de Goya y LucientesGet them well, and on to the next. - Francisco José de Goya y LucientesIt will be the same. - Francisco José de Goya y LucientesEven worse. - Francisco José de Goya y LucientesThe same elsewhere. - Francisco José de Goya y LucientesThey can still be of use. - Francisco José de Goya y LucientesThese too. - Francisco José de Goya y LucientesOne can't look. - Francisco José de Goya y LucientesCharity. - Francisco José de Goya y LucientesRabble. - Francisco José de Goya y LucientesHe deserved it. - Francisco José de Goya y LucientesRavages of war. - Francisco José de Goya y LucientesThat's tough! - Francisco José de Goya y LucientesWhy? - Francisco José de Goya y LucientesWhat more can be done? - Francisco José de Goya y LucientesOn account of a knife. - Francisco José de Goya y LucientesOne can't tell why. - Francisco José de Goya y LucientesNot [in this case] either. - Francisco José de Goya y LucientesThis is worse. - Francisco José de Goya y LucientesBarbarians! - Francisco José de Goya y LucientesA heroic feat! With dead men! - Francisco José de Goya y LucientesHe gets something out of it. - Francisco José de Goya y LucientesThey escape through the flames. - Francisco José de Goya y LucientesEverything is topsy-turvy. - Francisco José de Goya y LucientesThis too. - Francisco José de Goya y LucientesI saw it. - Francisco José de Goya y LucientesAnd this too. - Francisco José de Goya y LucientesThis is bad. - Francisco José de Goya y LucientesThis is how it happened. - Francisco José de Goya y LucientesCruel tale of woe! - Francisco José de Goya y LucientesA woman's charity. - Francisco José de Goya y LucientesUnhappy mother! - Francisco José de Goya y LucientesThanks to the millet. - Francisco José de Goya y LucientesThey do not arrive in time. - Francisco José de Goya y LucientesThere was nothing to be done and he died. - Francisco José de Goya y LucientesAppeals are in vain. - Francisco José de Goya y LucientesThe worst is to beg. - Francisco José de Goya y LucientesTo the cemetery. - Francisco José de Goya y LucientesThe healthy and the sick. - Francisco José de Goya y LucientesIt's no use crying out. - Francisco José de Goya y LucientesWhat is the use of a cup? - Francisco José de Goya y LucientesThere is no one to help them. - Francisco José de Goya y LucientesPerhaps they are of another breed. - Francisco José de Goya y LucientesThe beds of death. - Francisco José de Goya y LucientesHarvest of the dead. - Francisco José de Goya y LucientesCartloads to the cemetery. - Francisco José de Goya y LucientesWhat is this hubbub? - Francisco José de Goya y LucientesStrange devotion! - Francisco José de Goya y LucientesThis is not less so. - Francisco José de Goya y LucientesWhat madness! - Francisco José de Goya y LucientesNothing. The event will tell. - Francisco José de Goya y LucientesThey do not know the way. - Francisco José de Goya y LucientesAgainst the common good. - Francisco José de Goya y LucientesThe consequences. - Francisco José de Goya y LucientesFeline pantomime. - Francisco José de Goya y LucientesThat is the worst of it! - Francisco José de Goya y LucientesCharlatans' show. - Francisco José de Goya y LucientesThe carnivorous vulture. - Francisco José de Goya y LucientesMay the cord break. - Francisco José de Goya y LucientesHe defends himself well. - Francisco José de Goya y LucientesTruth has died. - Francisco José de Goya y LucientesWill she rise again? - Francisco José de Goya y LucientesSevillanas - Francisco IturrinoWedding Presents - Adolphe LalauzeA Bad Joke - Adolphe LalauzeBust of a Woman - Federico de Madrazo y KuntzMain Street - Andrés NagelTwo Hands - José Clemente OrozcoHead of a Woman - José Clemente OrozcoMexican Soldiers - José Clemente OrozcoRear Guard - José Clemente OrozcoChapel of Saint Ildefonsus, Alcalá de Henares - Pérez Villaamil GenaroDeux Femmes Nues Dans un Arbre - Pablo PicassoThe Dream and Lie of Franco I, (States I and II) - Pablo PicassoThe Dream and Lie of Franco I, State I - Pablo PicassoThe Dream and Lie of Franco I, State II - Pablo PicassoThe Dream and Lie of Franco II, (States I, III, IV, V) - Pablo PicassoSonnets of Góngora, series of 42 prints after Velázquez - Pablo PicassoTorero y Señorita - Pablo PicassoMiracle of Saint Turibius of Mogrovejo - Paulus PilajaLa Voz del Árbol, I (The Tree's Voice) - Daniel QuinteroLa Voz del Árbol, II (The Tree's Voice) - Daniel QuinteroLa Voz del Árbol, III (The Tree's Voice) - Daniel QuinteroLa Voz del Árbol, IV (The Tree's Voice) - Daniel QuinteroLa Voz del Árbol, V (The Tree's Voice) - Daniel QuinteroSketch for Wave - Santiago CalatravaLa Voz del Árbol, VII (The Tree's Voice) - Daniel QuinteroLa Voz del Árbol, VIII (The Tree's Voice) - Daniel QuinteroLa Voz del Árbol, IX (The Tree's Voice) - Daniel QuinteroLa Voz del Árbol, X (The Tree's Voice) - Daniel QuinteroLa Voz del Árbol, XI (The Tree's Voice) - Daniel QuinteroLa Voz del Árbol, VI (The Tree's Voice) - Daniel QuinteroAbril-1 (Grey) - Albert Ràfols-CasamadaAbril-2 (Brown) - Albert Ràfols-CasamadaAbril-3 (Turquoise) - Albert Ràfols-CasamadaAbril-5 (Rose) - Albert Ràfols-CasamadaUntitled - Albert Ràfols-CasamadaThe Drunken Silenus - Jusepe de RiberaThe Martyrdom of Saint Bartholomew - Jusepe de RiberaThe Penitence of Saint Peter - Jusepe de RiberaThe Poet - Jusepe de RiberaSmall Grotesque Head - Jusepe de RiberaSaint Jerome Hearing the Trumpet of the Last Judgment - Jusepe de RiberaSeated Nude with Raised Arms (Frida Kahlo) - Diego RiveraBoy and Dog - Diego RiveraNude with Long Hair (Dolores Olmedo) - Diego RiveraOpen Air School - Diego RiveraHeroic Voice - David Alfaro SiqueirosWhen Do You Want More (A Quién Quiere Más) - Ismael SmithSpree in Córdoba (Juerga en Córdoba) - Ismael SmithHombre I - Rufino TamayoMujercita - Rufino TamayoHateful Kitchen - Francisco ToledoInterior of the Main Entrance Façade of Seville Cathedral - Juan de Valdés LealPlate of Four Emblems - Lucas de ValdésPlate of Four Emblems - Lucas de ValdésPlate of Four Emblems - Lucas de ValdésPlate of Wreathed Emblems - Lucas de ValdésUntitled (Door of the Hospice of Madrid, 17th century; I) - Miguel ZapataUntitled (Door of the Hospice of Madrid, 17th century; II) - Miguel ZapataUntitled (Tomb of Don Martín Vázquez de Arce, Known as the Doncel of Sigüenza, 15th century; I) - Miguel ZapataUntitled (Tomb of Don Martín Vázquez de Arce, Known as the Doncel of Sigüenza, 15th century; II) - Miguel ZapataUntitled (Portrait done by Velázquez of Pope Inocencio X, 17th century; II) - Miguel ZapataUntitled (Tomb of the Inquisitor Antonio del Corro, 16th century; II) - Miguel ZapataUntitled (Tomb of the Inquisitor Antonio del Corro, 16th century; I) - Miguel ZapataUntitled (Portrait done by Velázquez of Pope Inocencio X, 17th century; I) - Miguel ZapataCathedral at Évora (Inside) - Chester BrummelCathedral at Évora (Outside) - Chester BrummelLa Maya - Cristina García RoderoSand and Small Pines - Manuel Álvarez BravoLandscape of Sown Fields - Manuel Álvarez BravoVotive Offering - Manuel Álvarez BravoStretched Light - Manuel Álvarez BravoTwo Women and the Large Curtain with Shadows - Manuel Álvarez BravoFirst Act - Manuel Álvarez BravoBox of Visions - Manuel Álvarez BravoThe Man from Papantla - Manuel Álvarez BravoSleeping Dogs Bark - Manuel Álvarez BravoTwo Pairs of Legs - Manuel Álvarez BravoA Fish Called Saw - Manuel Álvarez BravoAlmost - Manuel Álvarez BravoSparrow, Clearly - Manuel Álvarez BravoThe Threshold - Manuel Álvarez BravoPortrait of the Eternal - Manuel Álvarez BravoDel Toreo, portfolio of 23 photolithographs - José Antonio Coderch de SentmenatSalida del Toril - José Antonio Coderch de SentmenatCorriendo al Toro - José Antonio Coderch de SentmenatFijando al Toro con el Capote - José Antonio Coderch de SentmenatIniciando una Verónica - José Antonio Coderch de SentmenatVerónica, Compas Abierto - José Antonio Coderch de SentmenatCargando La Suerte en una Verónica - José Antonio Coderch de SentmenatRevolera - José Antonio Coderch de SentmenatGalleo Llevando El Toro Al Picador - José Antonio Coderch de SentmenatSuerte de Varas - José Antonio Coderch de SentmenatQuite de Frente Por Detrás - José Antonio Coderch de SentmenatChicuelina. I - José Antonio Coderch de SentmenatChicuelina. II - José Antonio Coderch de SentmenatBanderillas de Poder A Poder - José Antonio Coderch de SentmenatAyudado por Bajo - José Antonio Coderch de SentmenatMuletazo, en Redondo - José Antonio Coderch de SentmenatPase de Pecho - José Antonio Coderch de SentmenatCogida. I - José Antonio Coderch de SentmenatCogida. II - José Antonio Coderch de SentmenatDerechazo - José Antonio Coderch de SentmenatEl Pase Natural - José Antonio Coderch de SentmenatEstocada (Volapié) - José Antonio Coderch de SentmenatToro Rodando Sin Puntilla - José Antonio Coderch de SentmenatSaludo Tras Una Brega Difícil - José Antonio Coderch de SentmenatMaría Agustín - Fernando BrambilaD. Mariano Zerezo - Fernando BrambilaD. Felipe San Clemente y Romeu - Fernando BrambilaVista del costado de la yglesia de las Monjas de Sta. Catalina - Fernando BrambilaSaludo Tras Una Brega Difícil - José Antonio Coderch de SentmenatThe Dream and Lie of Franco II, State I - Pablo PicassoThe Dream and Lie of Franco II, State III - Pablo PicassoThe Dream and Lie of Franco II, State IV - Pablo PicassoThe Dream and Lie of Franco II, State V - Pablo PicassoToro Rodando Sin Puntilla - José Antonio Coderch de SentmenatEstocada (Volapié) - José Antonio Coderch de SentmenatEl Pase Natural - José Antonio Coderch de SentmenatDerechazo - José Antonio Coderch de SentmenatCogida. II - José Antonio Coderch de SentmenatCogida. I - José Antonio Coderch de SentmenatPase de Pecho - José Antonio Coderch de SentmenatMuletazo, en Redondo - José Antonio Coderch de SentmenatAyudado por Bajo - José Antonio Coderch de SentmenatBanderillas de Poder A Poder - José Antonio Coderch de SentmenatChicuelina. II - José Antonio Coderch de SentmenatChicuelina. I - José Antonio Coderch de SentmenatQuite de Frente Por Detrás - José Antonio Coderch de SentmenatSuerte de Varas - José Antonio Coderch de SentmenatGalleo Llevando El Toro Al Picador - José Antonio Coderch de SentmenatRevolera - José Antonio Coderch de SentmenatCargando La Suerte en una Verónica - José Antonio Coderch de SentmenatDel Toreo - José Antonio Coderch de SentmenatPortrait of King Charles II - Juan Carreño de MirandaPortrait of a Lady with a Fan - Zacarías González VelázquezPortrait of Richard Worsam Meade - Vicente López PortañaResiduos Históricos - Miguel ZapataAs Soon as Five Years Pass: Act 1, Scene 1 - Juan GonzálezAs Soon as Five Years Pass: Act 1, Scene 2 - Juan GonzálezAs Soon as Five Years Pass: Act 2, Scene 1 - Juan GonzálezAs Soon as Five Years Pass: Act 2, Scene 2 - Juan GonzálezAs Soon as Five Years Pass: Act 3, Scene 1 - Juan GonzálezAs Soon as Five Years Pass: Act 3, Scene 2 - Juan GonzálezUntitled (Study for Wave) - Santiago CalatravaVerónica, Compas Abierto - José Antonio Coderch de SentmenatItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoItalian Door - Pedro CanoCover for Sketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaSketch for Wave - Santiago CalatravaIniciando una Verónica - José Antonio Coderch de SentmenatFijando al Toro con el Capote - José Antonio Coderch de SentmenatCorriendo al Toro - José Antonio Coderch de SentmenatSalida Del Toril - José Antonio Coderch de SentmenatLa Condesa de Bureta - Fernando BrambilaMiguel Salamero - Fernando BrambilaEl tío Jorge - Fernando BrambilaAgustina Aragon - Fernando BrambilaCasta Álvarez - Fernando BrambilaJosef de la Hera - Fernando BrambilaVista del costado de la yglesia del Hospital General de Nuestra Señora de Gracia - Fernando BrambilaBateria del Portillo - Fernando BrambilaAlarma en la Torre del Pino - Fernando BrambilaBateria de la Puerta del Carmen - Fernando BrambilaRuinas del Interior de la yglesia del Hospital General de Nostra Señora de Gracia - Fernando BrambilaBateria de la Puerta de Sancho - Fernando BrambilaVista de la yglesia del Convento de S. Jose - Fernando BrambilaRuinas del Interior de la yglesia del Carmen - Fernando BrambilaVista General de Zaragoza - Fernando BrambilaRuinas del Seminario - Fernando BrambilaCombate de las Zaragozanas con los Dragones Franceses - Fernando BrambilaA Moor caught by the bull in the ring. - Francisco José de Goya y LucientesSonnets of Góngora, book and suite of first state sonnets - Pablo PicassoGóngora (half title) - Pablo PicassoPortrait of Góngora, after Velázquez - Pablo PicassoSoneto Burlesco: A un excelente Pintor estranjero, que le estava retratando - Pablo PicassoProfile of a Woman crowned with flowers - Pablo PicassoSoneto XVIII: Al Tramontar del Sol, la Ninfa mia… - Pablo PicassoBlonde woman in profile - Pablo PicassoSoneto XVII: Tres Vezes de Aquiló el soplo ayrado… - Pablo PicassoA una dama, que quitando del dedo una sortija de diamantes, se hirió con un alfiler, de que salió mucha sangre - Pablo PicassoHead of a woman, frontal view - Pablo PicassoA la sangría del tovillo de una Dama - Pablo PicassoBust portrait of a woman, frontal view - Pablo PicassoSoneto Burlesco: A Licito, Cavallero muy necio y muy rico - Pablo PicassoBust portrait of a woman, hand to her face - Pablo PicassoAl Sepulcro de Dominico Greco excelente Pintor - Pablo PicassoWoman with scarf - Pablo PicassoA la Capilla de nuestra Señora de Sagrario - Pablo PicassoHead of a woman with long neck - Pablo PicassoA una dama, que aviéndola conocido hermosa niña, la vió después hermosísima muger - Pablo PicassoWoman with polka dot bodice - Pablo PicassoWoman drawing - Pablo PicassoSoneto IX: A la muerte violenta, que Francisco Raballac dió al Rey Henrico Quatro de Francia - Pablo PicassoWoman with long hair - Pablo PicassoSoneto X: Al sol, porque salió estando con una Dama, y le fue forçoso dexarla - Pablo PicassoWoman reading - Pablo PicassoSoneto Heróico: Manos solicitó veloz saeta… - Pablo PicassoWoman with curly hair - Pablo PicassoSoneto Heróico: Quantos forjare más hierros el hado - Pablo PicassoProfile of a woman with ruff - Pablo PicassoSoneto VII: Palida restituye a su elemento… - Pablo PicassoWoman with chignon - Pablo PicassoSoneto X: Mientras por competir con tu cabello - Pablo PicassoWoman with mirror - Pablo PicassoWoman with diadem - Pablo PicassoSoneto Heróico: Al Conde de Villamediana, curioso en piedras preciosas, cavallos, y pinturas - Pablo PicassoSoneto Heróico: A la ciudad de Córdova y su fertilidad - Pablo PicassoBrunette woman, three-quarter view - Pablo PicassoSoneto Fúnebre - Pablo PicassoProfile of a woman with braid - Pablo PicassoSoneto Heróico: Al año climatérico de su edad - Pablo PicassoBrunette with sleek hair - Pablo PicassoSoneto III: Urnas plebeyas, túmulos reales - Pablo PicassoValencia Beach - Joaquín Sorolla y BastidaPortrait of a Lady of the Spanish Court - Alonso Sánchez CoelloFarm-House, Alcira - Joaquín Sorolla y BastidaSegovia, from Perogordo Road - Aureliano de BerueteAllegory - Joaquim Mir TrinxetSnow and Thaw - Darío de Regoyos y ValdésMoulin Rouge, Exit to the Box Seats - Hermen Anglada CamarasaVenus de Milo With Drawers - Salvador DalíOur Lady of Solitude - Manuel Ramírez de ArellanoSaint Paul the Hermit - Juan Alonso Villabrille y RonMills at Sunset - Luis Graner y ArrufiDecorative Design: Cartouche with Royal Coat of Arms - Luis Paret y AlcázarCostume Espanol:  Majo - Achille DeveriaThe Stewart Album - Christ Child (Ego dormio, et cor meum vigilat) - Alonso CanoPortrait of King Philip V - Miguel Jacinto MeléndezPortrait of Queen María Luisa Gabriela of Savoy - Miguel Jacinto MeléndezThe Apparition of Christ to Saint Ignatius on His Way to Rome - Juan de Valdés LealMary Magdalene and Head of a Moor - Zacarías González VelázquezMaría Luisa of Parma, Queen of Spain - Antonio Carnicero MancioPortrait of Mariano Goya, the Artist's Grandson - Francisco José de Goya y LucientesDon Diego de Alvarado Arredondo (1618–1683) - Unknown ArtistSoup of Europe (Sopa d'Europa) - Miquel BarcelóPortrait of a Lady - Raimundo de Madrazo y GarretaSeated Figure Looking Backwards - Juan MuñozOwl (Hibou) - Pablo PicassoFace and Owl (Visage et Hibou) - Pablo PicassoPortrait of the Duchess of Arión, Marchioness of Bay - Ignacio Zuloaga y ZabaletaPortrait of a Child - Manuel Benedito y VivesPrecise Folly (Disparate puntual) - Francisco José de Goya y LucientesVista of the Pyrenees from Pau at Dawn - Antonio de Brugada VilaProcessional Cross - Juan de MoralesThe Fish Man (L'homme poisson) - Salvador DalíTitle unknown (Priest) - Rafael CoronelTitle unknown (Day of the Dead) - Rafael CoronelTitle unknown (Priest in Hat) - Rafael CoronelThe celebrated picador, Fernando del Toro, draws the fierce beast on with his pique. - Francisco José de Goya y LucientesPortrait of Marie Cronin - Claudio Castelucho y DianaBouquet with Lilies and Roses and Curtain on the Left - Pedro de Camprobín PassanoBouquet with Irises and Roses and Curtain on the Right - Pedro de Camprobín PassanoBury them and keep quiet. (Enterrar y callar.) - Francisco José de Goya y LucientesUntitled - Esteban VicenteMaría Teresa del Castillo - Francisco Bayeu y SubíasPortrait of Vicente de Escofet y Febrer de la Torre - Vicente López PortañaPortrait of Rita Sendra - Ricardo MacarrónGaius Mucius Scaevola before Lars Porsena - Mariano Salvador MaellaPedro de Cevallos Disembarks in the Port of Buenos Aires - José del CastilloThe Delivery of the Keys to Cevallos by the Governor of Sacramento - Gregorio FerroSaint Raphael and the Guardian Angel - Juan Vicente de RiberaSaint Michael and Saint Gabriel - Juan Vicente de RiberaBoats at Tortosa - Francisco Gimeno ArasaJoaquín, María, and Elena Sorolla Studying - Joaquín Sorolla y BastidaWoman in Profile - Isidre NonellSketch of a Child - Ricardo de VillodasLady at a Dressing Table - Ricardo de VillodasLady with Parasol - Ricardo de VillodasFigure Studies: Four Ladies - Ricardo de VillodasThe Last Voyage of Christopher Columbus - Ricardo de VillodasSeated Gentleman with Hat - Ricardo de Villodas Figure Studies: Man and Two Ladies - Ricardo de VillodasTwo Ladies - Ricardo de VillodasMan in Profile - Ricardo de VillodasStanding Figures - Ricardo de VillodasFigure Studies: Two Men Smoking and a Lady - Ricardo de VillodasAn Anarchist - Ricardo de VillodasFigure Study: Lady in Profile - Ricardo de VillodasLady in Profile - Ricardo de VillodasMan's Head - Ricardo de VillodasMaría de Villodas - Ricardo de VillodasThe Madonna and Child in Glory Surrounded by Saints and Putti - José Camarón BonanatCalvary - Pedro de CampañaSaints Benedict and Onuphrius - Pere VallSiren on a Dolphin (Sirène au dauphin) - Salvador DalíAliyah - Salvador Dalí"Thou hast laid me in the nethermost pit, in dark places, in the deeps" (Psalm 88.7) - Salvador Dalí"Yea though I walk through the valley of the shadow of death I will fear no evil" (Psalm 23.4) - Salvador Dalí"A voice is heard in Ramah, lamentation and bitter weeping, Rachel weeping for her children; she refuseth to be comforted for her children because they are not" (Jeremiah 31.15) - Salvador DalíThe Wailing Wall - Salvador Dalí"I have set before thee life and death, the blessing and the curse; therefore choose life that thou mayest live, thou and thy seed" (Deuteronomy 30.19) - Salvador DalíHatikvah (Hope), the Israeli national anthem - Salvador Dalí"Arise, Barak, and lead thy captivity captive, thou son of Abinoam" (Judges 5.12) - Salvador Dalí"Return O virgin of Israel. Return to these thy cities" (Jeremiah 31.21) - Salvador Dalí"We shall go up at once and possess it" (Numbers 13.30) - Salvador DalíOn the Shores of Freedom: The Eliahu Golomb brings "illegal" immigrants - Salvador DalíOut of the Depths - Salvador DalíThe Battle of the Jerusalem Hills - Salvador DalíVictory: A Song of Thanksgiving - Salvador DalíA Moment in History: David Ben Gurion reads the Declaration of Independence, May 5, 1948 - Salvador DalíAngels of the Rebirth - Salvador DalíThe Pioneers of Israel: "With one of his hands wrought in the work, and with the other held his weapon" (Nehemiah 4.11) - Salvador DalíThe Price—Bereavement - Salvador DalíThe Land at the Start of Jewish Settlement: "I will make the wilderness a pool of water" (Isaiah 41.18) - Salvador DalíThe Land Come to Life: "The mountains and the hills shall break forth before you into singing and all the trees of the field shall clap their hands" (Isaiah 55.12) - Salvador Dalí"Let them have dominion over the fish of the sea and over the fowl of the air and over the cattle and over every creeping thing" (Genesis 1.26) - Salvador DalíThe Land of Milk and Honey - Salvador DalíOrah, Horah—Light, Joy (The menorah, the seven-branched candelabrum, is part of the official symbol of the State of Israel. The horah is the traditional Israeli folk dance.) - Salvador DalíCovenant Eternal: Circumcision - Salvador Dalí"For that is thy life and the length of thy days" (Deuteronomy 30.20) - Salvador DalíCluster of Cypresses, Arbor IV - Santiago Rusiñol i PratsBeach at Portici - Mariano Fortuny y MarsalCharles IV and His Family Honored by the University of Valencia - Vicente López PortañaMaría and Joaquín Sitting before a Fireplace - Joaquín Sorolla y BastidaSketch for "The Regency" - Joaquín Sorolla y BastidaClotilde Reading - Joaquín Sorolla y BastidaOxen Taking Out the Boat - Joaquín Sorolla y BastidaFisherman Squatting with a Boat and Children in the Background - Joaquín Sorolla y BastidaChildren Playing - Joaquín Sorolla y BastidaFisherwomen with their Baskets - Joaquín Sorolla y BastidaTaking Out the Boat - Joaquín Sorolla y BastidaBoat, Sail, and Children - Joaquín Sorolla y BastidaAdoration of the Magi - Rodrigo de Sajonia (called Master of Sigena)Victoria - Xavier CorberóStudy of Hands - Joaquín Sorolla y BastidaCrouched Arab - Mariano Fortuny y MarsalLady Reading - Ramón Casas y CarbóLandscape - Joaquim Mir TrinxetMusical Days of Donaueschingen (Les journées musicales de Donaueschingen) - Joan MiróYour Hair is Yellow (Tu cabello es amarillo) - Antonio SauraLandscape - Josep Serra LlimonaLetter O - Antoni TàpiesPortrait of Conception de Elvira y Martinez de Escofet - Vicente López PortañaPortrait of Margaret Kahn - Ignacio Zuloaga y ZabaletaVisions - Francisco José de Goya y LucientesOrchard in Seville - Emilio Sánchez PerrierFloral Wreath with Saint Elizabeth - Gabriel de la CorteFloral Wreath with Saint Zacharias - Gabriel de la CorteHoly Family with Saints - Juan de JuanesThe Sentencing of the Sons of Brutus - Victor Manzano y MejoradaView of the Chapel of Saint Anthony - Miguel Parra AbrilSoft Aura - Xavier CorberóDon Juan of Austria, Viceroy of Naples (Dom Juan d'Austriches Viceroy de Naples) - Balthasar MoncornetDon Francisco de Mello, Count of Azumar (Dom Francois de Mello Comte de Azumar) - Balthasar MoncornetCharles II, King of Spain (Charles II, Roy de’Espagne) - Sebastiano PinssioPhilip IV (D. Philippo IV) - Balthasar MoncornetPortrait of Juan de Iriarte (Musa Vetat Mori) - Manuel Salvador CarmonaDon Luis Méndez de Haro y Guzmán (Dom Louis Mendez de Haro y Guzman) - Nicolas de LarmessinAmbrogio Spinola, Marquis of Sexten, Duke of San Severino (Ambrogio Spinola, Marquis de Seste, Duc de San Severin) - Balthasar MoncornetPhilip IV, King of Spain (Philippe IV, Roi d’Espagne) - Honoré Thomas BlignyCharles V (Charles-Quint) - Michel OdieuvreDiego Mexía Felípez de Guzmán y Dávila (Dom Guzman Marquis of Leganés) - Balthasar MoncornetPhilip of France, Fifth of his Name. (Philippe de France v. du Nom) - Charles Louis SimonneauDon Philip, Son of Philip V (Don Philippe fils de Philippe V, Roy d’Espange) - Gilles Edme PetitCardinal-Infante Ferdinand (Ferdinandus Hispaniarum Infans) - Balthasar MoncornetPhilip III, Catholic King (Philippes III Roy Catholique) - Balthasar MoncornetPhilip IV (Philippe IV) - Lucas KilianPhilip IV, King of Spain (Philippe IV Roi D’Espagne) - Guillaume Philippe BenoistPhilip II, King of Spain (Philippe II, Roy d’Espagne) - René GaillardPortrait of the Mestre Family - Josep de Togores i LlachA Baby Rolling Over - Agustín Querol y SubiratsBearded Head in Half-Profile - Francisco de HerreraThe Immaculate Conception, Saint Ferdinand, and a Seated Angel - Pedro Duque CornejoThe Death of Mary Magdalene - Alonso CanoCartouches for the Map of the Archbishopric of Valencia [recto]/Models for various bookplates and a small sketch for a scene with a sword shop [verso] - José Camarón BonanatPortrait of Christopher Columbus - Mariano Salvador MaellaFifteen figure sketches - Ricardo de VillodasSaint Martin of Tours Dividing his Cloak for a Beggar - Master of BelmonteAltarpiece of Saints Michael and Anthony Abbot - Martín de SoriaSaint Jude - Gil de SiloéSaint John the Evangelist - Gil de SiloéSaint Bartholomew - Gil de SiloéThe Last Supper Frieze (from the church of San Baudelio near Berlanga) - Unknown ArtistThe Three Marys at the Sepulchre (from the church of San Baudelio near Berlanga) - Unknown ArtistAltarpiece of Saint Peter - Martín de SoriaThe Garage - Secundino HernándezSecret Origins (Orígenes secretos) - Secundino HernándezGodoy Presenting Peace to Charles IV - José Aparicio e IngladaAllegory of the Discovery of America [recto]/Various Notes [verso] - Antonio González VelázquezSketch for an Allegorical Figure (Flora?) - Casto Plasencia y MaestroPortrait of a Lady - Bartolomé González y SerranoLetur or Liétor, Chicago - Teresa LancetaAgrippina Orders Locusta to Poison Claudius - Antonio Gómez CrosUntitled (Sin título) - Teresa LancetaStudy of Heads for the Painting "The Holy Family with Saints" - Francisco Ignacio Ruiz de la IglesiaSaint Batholomew - Domingo RamArchitectural study of La Alhambra - Mariano Fortuny y MarsalSaint James in the Battle of Clavijo - Gregorio FerroOld Man in the Sun - Ricardo de Madrazo y GarretaHannibal at the Temple of Hercules in Cádiz - Luis Paret y AlcázarInventario (Inventory) - Ignasi AballíSketches of Saint Joseph with Christ Child and Holy Family - Pedro Duque CornejoCiborium - Unknown ArtistStudy for a Head of Christ [recto]/Study of Angels [verso] - José del CastilloSketch for the Murals of San Luis de los Franceses in Seville - Domingo MartínezPortrait of Baron Ferdinand Carl von Stumm - Raimundo de Madrazo y GarretaClown (Payaso) - Rafael CoronelCell Cross - María Josefa SánchezHoly Trinity - José del CastilloBanderillas with firecrackers. - Francisco José de Goya y LucientesStill Life (Naturaleza muerta) - Antonio Rodríguez LunaWoman (Mujer) - Manel AnoroStill Life (Bodegon) - Manel AnoroSaint Francis - Francisco de HerreraLeaving the Ball - Román Ribera CireraMinotaur Caressing a Girl - Pablo PicassoMinotaur Caressing a Sleeping Woman - Pablo PicassoPortrait of Vicenta Bertrán de Lis Espinosa de los Monteros - Federico de Madrazo y KuntzMozos de Escuadra (Catalan Police Arresting a Romani Couple) - Carlos Vázquez ÚbedaStill Life - Josefa de AyalaYellows Contained - José GuerreroResurrection Remains - José Hernández MuñozUntitled (Religious Procession) - Miguel ZapataUntitled (Bullfighter on Horseback) - Miguel ZapataSelf-Portrait in the Guise of a Musician - José María Rodríguez de LosadaHommage à Miró - Joan Miró

(Click on an underlined column heading to sort the list.)

Title	Artist	Medium & Support	Creation Date
Làmina III - "Tirant féu portar un drap de ras en mig d´una praderia, e un banc en què lo moro estigués de peus." (Capítol 142)	Boix, Manuel	Etching on Super Alfa paper	1978
Làmina II - "Llavors ella hagué plena notícia que per ella se faïa la festa." (Capítol 127)	Boix, Manuel	Etching on Super Alfa paper	1978
Làmina I - "E, per la gran calor que feïa, perquè havia estat ab les finestres tancades, estava mig descordada." (Capítol 118)	Boix, Manuel	Etching on Super Alfa paper	1978
Untitled	Boix, Manuel	Etching on Super Alfa paper	1978
Frontispici - "¿No seria bo, puix l'Emperador està a la finestra e totes les dames són eixides per mirar-nos, que cavalcàssem los cavalls encubertats ab los bacinets al cap, puix tenim pennatxos grans e bells?." (Capítol 133)	Boix, Manuel	Etching on Super Alfa paper	1978
Panoramic 1 - "E totes aquestes coses, senyor, no pense vostra senyoria sien fetes per encantament ni per art de nigromància, sinó artificialment." (Capítol 55)	Boix, Manuel	Etching on Super Alfa paper	1978
Untitled	Boix, Manuel	Etching on Super Alfa paper	1978
Làmina VIII - "¿E si és veritat lo que diu aquest filòsof?." (Capítulo 110)	Boix, Manuel	Etching on Super Alfa paper	1978
Làmina VII - "E donen-ho, per amor de Déu, en reverència dels dotze Apòstols." (Capítol 102)	Boix, Manuel	Etching on Super Alfa paper	1978
Làmina VI - "La fel li esclatà, e aquí de continent morí." (Capítol 80)	Boix, Manuel	Etching on Super Alfa paper	1978

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